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Bound for Glory: America in Color 1939-43
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Authors/Performers
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Paul Hendrickson;
Product Description
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Thanks to famous documentary photographs of Americans during the Great Depression, we tend to visualize everything that happened in the 1930s in black-and-white. In fact, Kodachrome first became available in the U.S. in 1935, and several photographers for the Farm Security Administration experimented with the new color film as they traveled across the country. Bound for Glory: America in Color 1939-43 presents an oddly startling world of small towns and country roads ablaze in the vivid hues of real life. A sunburned family in Pie Town, New Mexico, eat a dinner of homemade biscuits, grits, and gravy. Sisters wearing print dresses all made from the same rose and blue fabric seem dazed at the wonders of a state fair in Vermont. Work horses graze on bright green grass under a moody Kansas sky. Chosen from an archive of about 1,600 vintage color slides, the 175 photos in the book are the work of several documentary photographers, including Marion Post Wolcott and Jack Delano. Partway through this panorama of Americana, the tone and subject matter shift. Suddenly, the U.S. is at war, and the casual, unposed quality of the earlier images shifts into self-conscious glorification of the American war effort by the Office of War Information, with shots of steel mills and train yards, and of women newly hired by factories to assemble bomber parts. It's clear from Paul Hendrickson's engaging introduction that the pre-war images are the ones he finds most captivating. This slender volume--which aptly borrows the title of Dustbowl troubadour Woody Guthrie's autobiography--offers a window on a distant era in which grinding poverty and racial segregation coexist with the simple pleasures of rural and small-town life. —Cathy Curtis
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This book is a miracle--a gorgeous collection of crystal-clear, full-color photographs that somehow depict a world that many people, myself included, have long unconsciously assumed existed solely in black and white.
Color photographs, hundreds of startling and beyond-Technicolor images of the tail end of the Great Depression and the first years of World War II, fill this beautiful and artfully designed book, and the experience of leafing through them is a revelatory one, an immersive, affecting, transformative one. Just look at these people, these places, these signs: these are not ghosts; these are not the silvery images of museum walls and newspaper archives; these are people; this is the real world; this is the past looking a terrifying hell-of-a-lot like the present, like you, like me. This is poverty and happiness and history and a world gone by, and this is all of that made immediate, and brought to you and to me as if we had just stepped out of a time machine to wade through it all ourselves.
This book is unbelievable. I don't think I could recommend a book more highly, and the only reservations I hold regarding it are the ones that come from being so altered, so changed, so turned upside down by something like this, by something that can make a person view the past and everything so differently. From Pie Town, New Mexico to Lincoln Nebraska, from UFO-like blimps over South Carolina to fishing holes in Louisiana, this is the past of America made alive, made new, made real.
The book's introduction, by writer Paul Hendrickson, is terrific is well, expertly putting the photographs into context, and invoking both explicitly and implicitly the spirit of James Agee, Walker Evans, and LET US NOW PRAISE FAMOUS MEN. It draws attention to small details of many of the images, details that may have gone unnoticed otherwise, and emphasizes these images' importance to history.
I absolutely love this book, though at times I can barely handle it. I recommend it as highly as I can recommend anything, though I can't guarantee it will leave you unscathed, unchanged, even okay. But get it, read it, see it, and then watch yourself start to see the world, see America, see the past, see it all it in a different way.;
[Rating: 5 Stars]
My mother saw the Bound for Glory exhibition in Germany and was so impressed with it that she got ME this book, knowing how much I love to photograph rural Georgia (USA), then became so captivated by it that she was reluctant to give it up. The first time I opened the book I was so overwhelmed that I had to close it again; the images are stunning and truly inspiring, and each photo has so much depth, it takes time to properly digest. Not your average photo book. Highly recommended.;
[Rating: 5 Stars]
Like many of us, I have come to think of this era in balck and white - a perception honed through years of poring over my parents books and photo albums. Looking at these images gives me the sense of Dorothy exiting her sepia farmhouse into the Technicolor Munchkinland - it's mezmerizing, and the images themselves tell detailed stories about their itme and place. Another book that evokes the same feelings in a more contemporary moment is Sam Fentress' Bible Road, which has beautifully rendered photographs from across the American landscape in black and white and color - if you like Bound for Glory, you are bound to like Bible Road.;
[Rating: 5 Stars]
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